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Sateda
Original Airdate: August 4, 2006
Reviewed By Karma
Summary | Review | Screen
Caps | Cast | Guest
Cast | Creative Staff
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Summary
While exploring another alien planet, that nevertheless
looks a lot like someplace you might find in British Columbia,
our intrepid heroes come across a village, where the natives
are not particularly pleased to see Ronon Dex, calling
him “Wraithbringer” and busting out the crossbows.
Falling back to the Stargate, Ronon, Teyla, and Sheppard
are shot by tranquilizer darts, while a wounded Doctor
McKay manages to escape back to Atlantis.
When they come to, Sheppard, Teyla, and Ronon find themselves
locked in a cage, informed that the villagers have made
a deal with the Wraith to turn Ronon over if he should
return. The trio try to convince them that this is a very
bad idea, as the Wraith will decimate their village should
they return, but the village elder Ketulah has already
contacted the Wraith. Ronon, distraught over what had happened
to the village the last time he visited, as a Runner, convinces
the villagers to free Teyla and Sheppard by threatening
suicide. But he refuses to leave himself, determined to
somehow make it up to the villagers.
As Sheppard and the new Atlanteans try and determine how
best to retrieve their obdurate comrade, the Wraith arrive
and, as predicted, destroy the village before leaving,
taking Ronon with them.
Aboard the Hive, which, interestingly, is led by a male
Wraith (who shall hereafter be referred to as Mr. Growly)
rather than the traditional female, Ronon is once again
made a Runner and is taken back to his homeworld of Sateda,
which was devastated in a Wraith culling years ago, and
set free to be hunted.
Ronon quickly proves to be a major badass, disposing of
Wraith after Wraith, first with improvised weapons, then
with Satedan weapons he finds lying around; even going
so far as to taunt Mr. Growly over the Wraith equivalent
of television.
Ultimately, Teyla and Sheppard arrive, along with Beckett
and McKay, aboard a cloaked jumper, and set about assisting
a wounded Ronon in dispatching the last of the Wraith hunting
him. In response, Mr. Growly himself comes down to the
planet’s surface to finish off Ronon once and for
all.
The two fight, and though they could easily dispatch Mr.
Growly, Teyla and Sheppard are bound by a promise not to
interfere – and the threat of death at Ronon’s
hands if they do. In the end, the strength of Mr. Growly
proves too much for the maimed Satedan, but, before Mr.
Growly can finish him off, he is, in turn, blasted by a
drone fired from the jumper.
Back aboard the jumper, instead of killing him, an exhausted
Ronon hugs Beckett for his part in the defeat of Mr. Growly,
and our heroes turn for home as the Hive bombards the planet
from orbit.
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Review
"Sateda" is hard to review. On the one hand,
it provides a look, a long overdue look, into the character
of Ronon Dex. It also allowed Jason Momoa to stretch his
acting muscles (who knew he even had any!?), ultimately
demonstrating that there's much more to Ronon than dreadlocks
and threatening stares. Which is not to say that there
aren't any threatening stares from Ronon in "Sateda",
because there were plenty.
In the end, however, while the "kewl" factor
is high, thanks to the combination of some spiffy action
scenes as Ronon (assisted minimally by Teyla and even more
minimally by Sheppard) goes to town on the Wraith, some
interesting Wraith night-vision, Atlantis’ typically
great humour, and some of the best music and directing
Stargate Atlantis
- or even the Stargate franchise in general - has ever
seen, it's not all that great. Or rather, it suffers from
being the second consecutive episode that has nothing to
do with anything.
Not even the surprisingly skilled and varied performance
by Jason Momoa can overcome that single desultory fact.
Don't get me wrong, this is an episode that needed to happen,
but it needed to happen last season. It is clear that the
writers suddenly realized that Ronon was going the same
direction as Rainbow Sun-Franks' Aiden Ford, and sought
to do something, anything, to give the character a personality
and to explore his backstory. Which, to be fair, is unexpectedly
interesting, if, perhaps, ultimately flawed.
I say flawed because, while the idea of a "Runner" is
fairly easy to accept - one needs look no further than
the human race to understand the "hunter" mentality
among humans, to see that to some it is more interesting
to go out and actually catch your food, rather than simply
heading off to the nearest grocery store (or in the case
of the Wraith, human-inhabited planet) to pick up a nice
juicy steak (or, well, I'm not going to specifically mention
the Wraith equivalent here, because that would just be
a little creepy) - but when you introduce Dan Payne’s
Mr. Growly, the Wraith's answer to Captain Ahab, who goes
to stupefying lengths to recapture Ronon and then to take
his revenge, all because Ronon was the one "who got
away", it starts to diverge, at least in my mind,
into the realm of the ludicrous.
On the upside, there was a lot to like about “Sateda” beyond
the pleasant revelation about Jason Momoa’s acting
abilities and kewl factor, perhaps the most significant
one being the extent to which the episode set about establishing
the strength of the relationships between the lead characters.
Sheppard’s revelations to Teyla aboard the Daedalus were particularly striking, and enough to, at least for
a little while, actually succeeded in making me like the
character.
The one “problem” I had with the team building
aspects of “Sateda” was the inclusion of Beckett.
I have trouble understanding what would motivate him to
grab a gun and rush out to assist Ronon. I can understand
McKay’s desire to do so, because his claim to there
being a bond between them isn't entirely unreasonable,
and because, despite the outwardly efforts to make him
seem unlikable, it’s fairly obvious that McKay is
meant to inwardly be a good person. Beckett, however, while
a good person, has no particular attachment to Ronon. Aside
from their initial meeting, when Beckett removed the Wraith
tracking device (and while on that particular event, how
is it that Ronon can have major surgery on his spine yet
barely make a sound, yet the act of pulling a piece of
shrapnel from his leg causes him to scream like a baby),
I can barely even recall them having been on screen at
the same time, let alone actually interacting to the point
that Beckett would form an attachment to Ronon.
Finally, I would be remiss if I failed to mention the
excellent production values on “Sateda”. Atlantis
is a well-made show, but it seemed like they reached for
a whole new level on “Sateda”. The sets on
Sateda, for example, while, to the reviewer at least, very
reminiscent of something from the new Battlestar Galactica
were excellent, as were the camera angles and the music,
which, while not typical for an episode of Stargate, was
possibly some of the best on either series.
“Sateda” was a good episode, but it looses
points for coming too late, and for coming at a time when
the hour could have been better spent attending to more “important” matters.
Nevertheless, it deserves a good grade, if only for the
line McKay spoke to Beckett as they fought over the gun: "Oh,
what? And you're Rambo now?"
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Grade: 6.5/10 (C)
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Screen
Caps (Click for larger image)
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Cast:
Joe Flanigan as Lt.
Col. John Sheppard
Torri Higginson as Doctor Elizabeth Weir
Rachel Luttrell as Teyla Emmagan
Jason Momoa as Ronon Dex
Paul
McGillion as Dr. Carson Beckett
David Hewlett as Dr. Rodney McKay
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Guest
Cast:
Frank Collison as Keturah
Chiara Zanni as Malena
Curtis Caravaggio
Mitch Pileggi as Col. Caldwell
Dan Payne as Big Wraith a.k.a. "Mr. Growly"
David Pauls as Anton
Chuck Campbell as Technician
Todd Scott as Malik
Alexandra Carter as Linor
John Stewart as Villager
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Creative Staff:
Written by Robert C. Cooper
Directed by Robert C. Cooper
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