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Horizon
Mission Date: January 10, 2153
Original Airdate: April 16, 2003
Reviewed By Hawkeye (Originally posted at TalShiarHQ.net)

Summary | Review | Screen Caps | Cast | Guest Cast | Creative Staff

Summary

Horizon opens up with Travis in the so-called "sweet spot" of the ship, last seen in "Broken Bow." He is reading, upside down, of course, until Hoshi hails him over the CONN. Travis hops down to the wall unit and learns that Admiral Forrest has ordered them to reverse course.

After the first break, we find the main crew meeting. Archer explains that Forrest has ordered them to reverse course to a star system 30 light-years behind them where two gas giants are pulling a planet apart.

After laying in a course Travis comes into Archer's office and asks for a personal request. It seems, the Enterprise is going to be passing by his old ship, the Horizon, only ten hours out of their way. Archer approves Travis' request to be dropped off on his ship along the way. As the two talk about the Horizon, Travis tells Archer of his father's illness, but supposedly it's nothing his mother (who seems to be both the engineer and the doctor onboard the horizon) can't handle. Archer tells Travis there was a time, a few years before Starfleet was chartered, that he seriously considered joining a cargo ship. After prompting as to why he didn't, Archer says he will tell Travis the story later.

In engineering, Tucker and T'pol discuss their mission and how "there isn't going to be a lot to do once [they] get there." Tucker, it seems, has planned a movie night every night in the mess. Frankenstein, Bride of Frankenstein and Son of Frankenstein. It seems T'pol enjoyed a western before and Tucker believes she will enjoy the horror movies as well. After a little prodding, it seems like T'pol might reluctantly agree.

In the mess hall, Travis and Reed discuss families. Reed hasn't had a family reunion for almost a decade, but Travis is used to being closer to his family. When Travis brings up the suggestion of Starfleet putting families on starships, Reed disagrees. "Well they better post a psychologist onboard, cuz I'd need one if my parents were roaming the corridors." After being hailed by Hoshi that his mom has sent him a message, Travis runs off to his quarters.

Later, Archer comes to join Travis in the "sweet spot." Travis does not look happy as Archer starts some small talk with him. It seems Tucker had told Archer that six weeks ago, Travis' father died. His mother had sent a message to Starfleet but it had never been received. Travis tells the Captain how his dad was never happy with him joining Starfleet and how he wished he had a chance to clear things up with him. Archer tells Travis of a letter that his father had sent to the Captain as a letter of recommendation when he was trying to pick a helmsman. It said how his father had never seen a more natural helmsman in his life. Travis seems a little pleased by this but wishes his father had told him this.

In Sickbay, T'pol and the doctor discuss her headache. It seems T'pol wants it to be something more serious as an excuse to get out of going to the movie night. It seems the doctor will be there also though, and he encourages her to go.

As the Enterprise connects with the Horizon, Tucker tries to get Travis to allow him a tour of the reactor room. When Travis declines, Tucker offers him a PADD with a bunch of pictures on it. It seems, he had downloaded every picture he had taken since the beginning of their journey for Travis to give to him Mom. After a sober thank you, Travis boards his ship.

After the commercial break, Travis and his mom discuss some of Travis' missions (the events from "The Catwalk," and "Minefield.") It seems she has many contacts because of her years on a cargo ship. An alert comes over the intercom warning everyone of a warp jump. Travis and his mother hold on as the ship shakes jumping into warp. They reminisce over old friends as Travis meets an old friend in the hall. When Travis tries to enter the guest quarters, his mother puts him into his old room. She has put out some of his old things to make him feel more at home in his room.

Later, Travis walks into a storage module, where a man is giving out orders. It seems this is his brother and he is now the acting captain of the ship. He even has "the jacket," which seems to be their signal for who the captain is. After talking Travis finds out they are having a few issues because their father had kept some of the inventory lists in his head and they haven't recovered fully from his lost yet. When Travis offers his help, his brother turns him down rather quickly, looking irritated. As Travis begins to leave, his brother, Paul, tells him "to change into something a little less conspicuous." It seems Paul does not approve of his Starfleet career.

Back on Enterprise, they are setting up sensors to record the volcanic planet. Archer tells Hoshi to use Echo One (the relay they had set up in "Silent Enemy") to send the images to Forrest at command. As Tucker and T'pol begin to work on the sensors, Trip asks T'pol once again if she is coming to the movie night. T'pol responds by saying that she has learned that Frankenstein is a literary work as well, and that instead of the film, someone should read the book to the mess hall full of crewman, because they would be "more likely to appreciate the author's true intent." Trip laughs it off and leaves. Archer, after having overheard the conversation, tells T'pol she should go also for "the communal" experience. As T'pol is still reluctant, Archer tells her to come to the Captain's mess before hand and then they will go together to the movie - as a date.

On the Horizon, Travis is upgrading the navigational sensors and the stabilizers. When Paul walks in, he is angered by the fact that Travis is working on his ship without his permission. He is very condescending to Travis about his Starfleet background.

Back in Travis' quarters, he lays on his bed, just starring at his star chart. After a moment, a cute young woman comes in and Travis and her talk about their childhood a little bit. She tells him that things haven't been running smoothly since his father's death. She just doesn't think Paul is ready for command. As Travis starts to defend him, the ship starts to shake. As it continues, Travis determines it isn't just spatial turbulence. The ship is under attack.

After arriving on the bridge, Travis finds out they are under attack by unknown assailants. As the attack occurs, Paul hesitates a lot in his decisions. After deciding eventually to just run, Paul orders them to go to maximum warp, but it seems they are hauling too much weight and can not out run them. Instead, the enemy ships attach some sort of subspace beacon. It cannot be removed because it is also an explosive.

Later, Charley (the helmsman), Mrs. Mayweather, Travis and Paul discuss a similar attack on the freighter Constellation. Apparently these aliens plant a beacon on the ship, and a large cruiser comes two days later demanding their cargo. When the Constellation fought back, their ship was heavily damaged and two of their crewmen were killed. Paul decides to jettison some of the cargo to increase speed to the nearest space station. Travis though, disagrees for he recognizes the engine design of the attacking ship (its similar to the Mazarites') and (referencing the events in "Silent Enemy") thinks they should "tie the plasma turrets directly into the impulse engines." Paul though, disagrees and refuses to get "into a fight [they] can't win." He tells Travis he appreciates his advice but he is not part of their crew anymore.

Back on Enterprise, while they watch Frankenstein, T'pol reviews that morning's sensor data. At Archer's prodding though, she gives in and watches the film. Sitting behind them, Phlox talks incessantly to Tucker about doctors on Basarie II who it seems, use a similar technique to reanimate the dead as Dr. Frankenstein did on his monster. T'pol gets annoyed and offers to "stop the film if it is disturbing [his] conversation." Archer, a little amazed by what just occurred, offers T'pol popcorn.

Back on the Horizon, Charley informs Paul that someone is rerouting the impulse engines. Paul then hurries down to stop Travis. They argue over whether or not the improvements should be made. Paul seems over-confident in his opinion and Travis tries to defend himself. Paul is angered by Travis' abandonment of the Horizon. When Paul orders him to remove the upgrades, Travis tells him to do it himself and walks off.

Back on the Horizon (in a mess hall oddly similar to Enterprise's) Travis and his mom talk about how he actually misses the nutra-packs. He tells her he is thinking about taking an extended leave – there is a lot for him to do on the Horizon and he wants to help. He tells her how his career in Starfleet is the last thing he is thinking about. He thinks Paul is not ready to command. Mrs. Mayweather disagrees – she tells him how his father was a worse commanding officer when he first took over. How he almost lost his shipping license because he got so far behind. Mrs. Mayweather says that everyone is proud of Travis onboard the Horizon, even Paul.

Onboard the Enterprise, Trip and Archer try to make T'pol see why humans would want to scare themselves. When discussing the movie, T'pol, the outsider, of course connects with the outsider, the monster. She sees the movie as a story of someone persecuted because of his differences. She compares it to the Vulcan's reception on Earth when first landing. Archer and Trip try to defend themselves, but T'pol doesn't see it. She, in fact, plans on recommending Soval watch it and show it to new Vulcans arriving on Earth, so they know what to expect. As they finish their conversation, new, bright eruptions form on the planet below them. When they get back to the bridge, T'pol finds living organisms on the planet, and quotes the horribly cliché "It's Alive!"

Back on the Horizon, the enemy cruiser shows up. They demand that they surrender the vessel. When Paul offers their cargo, not the ship, the aliens begin to attack. Paul looks to Travis for the solution. Travis then tells them to release the clamps on the cargo so he can maneuver better. After taking the helm and releasing all the clamps, Travis takes the, now small Horizon into a dancing battle with the enemy ship. As the Horizon gets badly damaged, Travis finally gets behind them and knocks out their engines and weapons. Paul then hails the enemy ship, threatens them to stay away, gathers up the cargo and they leave.

Later, in Travis' quarters, Travis packs as Paul comes in. He tells him the Enterprise is 20 minutes out. Travis offers the Enterprise's help in removing the beacon. Travis and Paul bond over Travis' old star chart and they walk away from each other smiling.

Archer awaits Travis on the other side of the airlock as he comes out. When Archer asks about some damage on the Horizon, Travis says it's probably some old meteorite damage. After Archer prompts if everything is all right, Travis responds with "never better."

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Review

This episode was all about the Travis character. The plotline wasn't extremely original, and was very predictable, but gave Mayweather his best development of the show so far. Up until this point, the Travis character has had less development than Porthos. But now, he has an entire episode devoted to him, which actually accomplishes that task. Last year's "Fortunate Son" set out to accomplish the task of developing Travis, but it failed. It got bogged down in the plot and forgot about Travis all together. "Horizon" succeeded where "Fortunate Son" failed. The flip side is, it also failed where "Fortunate Son" succeeded.

The Good:

  • Like I've said before, this episode made Travis a dynamic character instead of the flat one he has been since "Broken Bow."
  • Like all Enterprise episodes, "Horizon" does not disappoint in the graphics department. Love the battle scenes, and loved the enemy ship. The separated Horizon was an awesome sight as well.
  • The music for this episode followed the trend of the last few. It was dramatic and new and added so much to each scene. Earlier episodes this season and a lot of them last season seemed to just reuse scores from Voyager. It's nice to see completely original ones.
  • It seems, the writers for Enterprise are learning lately that their characters need fire and backbones. Archer is finally being written that way ("Canamar" and "Judgment") and now Mayweather too. When he knew his brother was wrong, Travis took it upon himself to make the upgrades and he even told off his brother. It's nice to see these characters with actual fire to them - to see them alive.
  • Loved the reference to TNG about the families onboard and then the need for psychologist. It was just funny and a great tie in – something that didn't need to be there, but the writers threw it in for the fans. A nice nod there.
  • There were a couple little things in this episode that I thought added a lot to it:
    The full ship alert on the Horizon for the jump to warp, and then a shaky start. I liked that it showed the Horizon as less technologically advanced ship – it wasn't just Charley at the helm as Travis joked about, it seemed to be a normal thing on the ship. Their stabilizers just aren't as good as we've been used to.
  • Travis' star chart that mapped out what systems he wanted to visit as a child. This one planted item shows so much about the Travis character – he's a dreamer, someone who always looks to the future and has goals for himself.

The Bad:

  • The incredibly short teaser. What's the point of even having a teaser if it does not even tease? There is never any tension in Enterprise's teasers, never a sense of danger nor any drawing force to make you come back after the credits roll. At this rate, it would be better to just start off with the credits, and then go into the actual episode.
  • The predictable, been, there done that plot. It just felt so stale.
  • The, once again, hurried ending. A lot was happening as Travis' plan took effect and worked well, but there wasn't enough time to gauge reactions from those it seemed necessary. When they first realized that Paul was completely wrong and Travis' upgrades could save their lives, there wasn't even a pause from other members of the crew for that information to sink it. We, as an audience, needed some reactions.
  • The horrible contrast between the funny B plot and serious / sad A plot. The cut after the very dramatic and heart touching scene with Travis and Archer in the "sweet spot," as Travis talks about his father's death, to the scene with Phlox and T'pol in sickbay is an incredibly jolting cut. You are very into the dramatic moment and then all of a sudden, they expect you to giggle at T'pol uncomfortableness. It just does not work at all.
  • The Horizon's sets just looked like the Enterprise's sets, but dirty. It would have been nice to get a better redress. The bridge being the only exception – I like the small cramped bridge where the helm officer / navigation / weapons / I don't know how many other things was behind the captain's chair – it was just a new arrangement and its nice to see.

The Huh?

  • Why must Travis' mother be both the Chief Engineer and CMO on board the Horizon when there are dozen of random, nameless crewmembers on board. The same goes for Travis' grandfather, since it seems this, currently, is a very low amount of crewmen on board. (Paul said since Starfleet's creation, they can't get people to sign up with them) That means his grandfather had a larger crew, yet still had to fill 5 positions? It just does not make sense at all. The ship should have been less crowded.
  • If Travis planned on asking Reed's help in removing the mine/beacon on the nacelle, then why would he lie to Archer about the damage on the ship being from a meteorite and not the battle. I could understand Travis being too proud to want Archer's help with the aliens, but he already said he was going to ask their help. Now, Reed's not stupid and is going to wonder where the mine / beacon came from.

The Maybes

  • Archer tells Travis that he will tell him the story of why he didn't sign onto a cargo ship later, but that comment is never paid off. I assume (and hope) that this comment is the set up for episode 50 "First Flight," but of course, I won't know until then.
  • The fact that they were called back 30 light-years on a reverse course – is that going to lend a hand to solving the distance discrepancies that some were questioning for the finale?

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Grade: 8/10 B+

Screen Caps

   

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Cast:
Scott Bakula as Jonathan Archer
John Billingsley
as Dr. Phlox
Jolene Blalock
as T'Pol
Dominic Keating
as Malcolm Reed
Anthony Montgomery
as Travis Mayweather
Linda Park
as Hoshi Sato
Connor Trinneer
as Charles "Trip" Tucker III

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Guest Cast:
Corey Mendell Parker as Paul
Nicole Forester
as Nora
Adam Paul
as Nichols
Joan Pringle
as Rianna
Philip Anthony-Rodriguez
as Juan
Ken Feinberg
as Alien Captain

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Creative Staff:
Director: James A. Contner
Written By: Andre Bormanis

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