Review
And with that, another season of Smallville ends. And
while its rather obvious that this season still had problems
and some weak episodes, its similarly obvious that this
season has been a vast improvement over last season. And
unlike last year, I will enter next year with a renewed
hope.
All in all, I’d say it was a pretty good season.
It probably isn’t up to the standards set by seasons
1-3, but I wouldn’t really categorize it as a disappointment.
Clark and Lex have certainly started on their comic book
paths, and we’re definitely starting to see more
and more Superman seeds being planted. We’ll see
what they can come up with next season, with the show starting
its way to the end. Next season isn’t supposed to
be the final one, but with a move to a new merged CW network,
nothing is guaranteed.
Again, we have a series of cliffhangers to end the season.
Unfortunately, though, it seems like they might have run
out of ideas. Martha and Lois are trapped on a doomed flight,
echoing Lex’s cliffhanger at the end of season two.
And Clark is floating, trapped, in space. Just like the
end of season three. And while Chloe and Lionel are in
danger, we don’t really see any indication that they’ve
been hurt. The only original ending is Zod-Lex, watching
over a dying planet with Lana by his side.
A nice little ending, but it looks like the writers are
starting to run out of originality.
With that, I’ll break down the final episode itself,
working chronologically.
I’ll start with another instance of Clark not paying
attention. We’re immediately introduced to the dark
shadow covering the farm, and Clark is awake to see it
(unlike last year, when something similar woke him). And
even though it’s something very mysterious, Clark
doesn’t do anything about it. Even if weeks have
passed since “Oracle,” Clark knows that Zod
is coming, but he just closes the door and doesn’t
think about it.
I don’t think Clark could’ve done anything
about it, not knowing anything about Fine’s plan.
But still, he should’ve at least showed more apprehension.
Speaking of lack of originality, this is the second straight
episode where Clark is asked to kill someone. And, for
the second straight week, we get Clark wrestling with the
idea of having to do it for the greater good. And, for
even more similarities, both times its one of his fathers
(Jonathan and then Jor-El) asking him to kill one of the
Luthors (Lionel and now Lex). I understand that we have
to know how strongly Clark is against killing for the greater
good (one of the big differences between Superman and vigilante
heroes like Batman), but for two straight episodes?
A very nice moment was in Lionel’s speech to Clark.
Ironically, Clark is being taught how to act like a hero
by the series’ first villain. But after Lionel’s
impassioned speech, Clark knocks Lionel off guard with
the idea that Lex must die. And after all of the Luthor
family drama, we see something very true about Lionel:
he loves his son. And it is only after Lionel sees the
monster that Lex has become that he tells Clark that he
should do what must be done. I thought it was very nice,
and it was another great performance by John Glover.
Unfortunately, it was followed up by something just utterly
silly. Lionel goes to check on Lex, and we learn that Lex
has powers when he sends his father flying into the windshield
of a car.
And at that moment, I said “Oh, wow, they just had
Lex kill Lionel.” I mean, the collision into the
windshield was very violent, caused the glass to crack
violently, and there was blood on it. But not only is Lionel
not dead, he isn’t even knocked out. Which is extremely
ironic, since every character (including Clark) has been
knocked out several times on this show (fellow Smallville
reviewer Neal Bailey even has a “KO count” chronicling
all the times people have been knocked out on the show).
And it just didn’t make any sense. Lex, not knowing
he’d need to restrain himself, sends Lionel flying
with all his power and force, and Lionel flies into a windshield
at a very high speed. And it seems that he’s able
to walk away with only a couple (albeit deep) scratches
on his face. I mean, heck, he’s even back in Metropolis
later that night. Very ridiculous and very far-fetched,
if you ask me.
And speaking of Lex and his mysterious understanding of
his powers, how does he know that a bullet won’t
hurt him? He obviously didn’t know he had super-strength
or super-speed in the field, based on his reactions. And
I imagine that he went straight to the Mansion after nearly
killing his father. So when did he learn that he was impervious
to a gun?
I mean, even with his super-speed and super-strength,
Clark didn’t know he was indestructible until the
Pilot. If you go back and look, Clark is just as surprised
as Lex that he survived the car crash. And Clark even has
to prove to Jonathan in the same episode that the wood
chipper wouldn’t hurt him (Jonathan has to check
Clark’s arm for injuries…. something he wouldn’t
do if he didn’t think it’d hurt him). And even
after that, remember that bullets didn’t bounce off
Clark originally. The first time Clark was shot, it bruised
his body.
So it looks like Lex just made a lucky guess. It isn’t
completely unreasonable based on the events from last episode
(when his sliced finger instantly healed), but going by
that theory, Lex would’ve predicted that his hand
would’ve simply grown back after being destroyed.
Its quite a leap of faith, considering that super-strength
and speed have very little to do with indestructibility
(as evidenced by both the Flash and Cyborg).
And just to take another shot at the show’s lack
of originality, this would be the second time that we’ve
seen the “bullet into the hand” trick to display
Kryptonian powers.
Something really cool about that scene (and followed up
on with the Clark/Lana scene) is the idea of trust. As
soon as he finds out about his new powers, Lex rushes to
tell Lana. As he says, how can he keep something like that
secret from the person he cares about the most. Later,
Lana makes the realization that Clark simply never trusted
her.
And it makes perfect sense. We know that Clark and Lana
are not destined to be with each other, and its one of
those plot points that we already know the ending to. We
know that Lex will turn evil, Jonathan will die, Clark
will become Superman, and Clark and Lana won’t end
up together.
And it wasn’t until this season that Clark finally
realized that it won’t happen. No matter how much
he thinks he loves her, he * doesn’t * trust her.
And that’s why they won’t end up together.
Because the meteor show killed her parents, Clark can’t
ever let her know the truth. And the events of “Reckoning” have
cemented the idea in Clark’s head that bad things
will happen if he tells her.
It’s something I never really thought about, but
it does make total sense now. But, unfortunately for Clark,
it’s another example of Lex being the guy to do the
right thing. Because, like he says at the end, Clark is
the one who’s constantly lying to everyone he loves.
Lex has always been honest, even though he’s obviously
the darker character.
Speaking of that argument, I thought it was another pretty
cool realization that Lex stuck with Clark out of a sense
of jealousy. I don’t completely buy it because I
think there was something to the idea from last year that
Lex stayed friends with Clark because he thought Clark
would save him from the dark side. I also don’t think
season one Lex was devious enough to come up with such
a plan. I think he was definitely jealous of all Clark
had (things money couldn’t buy), but I don’t
think it was always part of some kind of plan. But it obviously
pains Clark to hear something like that.
Now, one thing that I thought had weakened a bit last
season was the effects. Not only were the stories starting
to drop in quality, I thought some of the CGI last year
was a little raw. This season, it has improved again, and
we had one of the cooler effects in this one when the car
flies into the Daily Planet.
In one sweeping motion, Clark is able to make sure Chloe
is safely in his arms, and at the same time, he’s
able to put up one arm to stop a runaway car. The flying
glass from the window makes everything that much cooler,
and it just seems so heroic. Like I said a couple reviews
ago, I’m completely sold on Welling as Superman,
and this was just another instance. If you haven’t
seen it, make it a point to see it: it’s definitely
worth it.
Just like the event that follows it up: the Clark/Chloe
kiss. I’ve been more of a fan of Clark/Chloe than
Clark/Lana because I find Chloe much more desirable than
Lana. Chloe is a better friend, much more loyal, less of
a bitch, and (at least, I think) more attractive. And I’ve
been screaming at him since season two to make up for leaving
Chloe at the dance and just make the right choice. And
all the fans like me were paid off with that kiss.
I can’t help but think, however, that it might be
the kiss of death for Chloe. Because, just like Lionel,
she’s back to the top of the “main characters
that can die” list.
Now let’s talk about the Clark/Lex fight. Like I
said earlier, I thought the conversation before it was
pretty cool. But, when the actual fight started, I found
myself underwhelmed again. I’ve lost count on the
number of times Clark has fought someone with super-powers,
but the fights always seem to very short and anticlimactic.
I’m not sure what I’m expecting, but I guess
the best super-powered fight was the Jonathan/Clark fight
in the season three premiere. This one is nowhere near
that good.
But as soon as Zod inhabits Lex, it gets really cool again.
I’ve always said that Michael Rosenbaum is a fantastic
actor, and he proved it again in this one. It’s a
very slight shift between Lex and Zod (which works, since
Lex is a power-hungry tyrant too), but I noticed it. And
I liked the small things, like Lex going to higher grand
to stand above Clark and the “eyes” remark.
It just reeked of cool, and the only thing that could’ve
improved it would’ve been for Zod to ask Kal-El to
kneel.
And while I liked the “Clark getting drawn into
the Phantom Zone” effect, I can’t help but
think it was done a little awkwardly. Unless you’re
watching very carefully, it almost looks like Clark speeds
after the bracelet. You have to really be looking for Welling
being pulled towards it. Especially since, previously,
we’ve seen that Clark was able to fight off the pull
of the bracelet. It might’ve been better if Clark
was seen struggling and then Zod threw him towards space.
But, oh well, it worked well enough.
And my final point, since I’ve already discussed
the cliffhangers, is the really lame riot footage. Why
use stock footage to show that rioting is happening in
New York and Los Angeles? We already know that the chaos
is going to spread, and I think the “darkening Earth” shot
had the same purpose (and did it better). I don’t
know, I’m not a huge fan of using stock footage,
particularly when it doesn’t really serve a purpose.
That’s it. Another season of Smallville in the books
and a pretty big mess that Clark has to fix. As you can
see, there were quite a few flaws in this one, but I thought
the episode had an epic feeling that will prevent it from
getting a failing grade. I want to thank everyone for reading
my reviews this season and thank the staff of lowerdecks.com
for letting me do it. Hopefully, I’ll see you’ll
next year!
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