Deconstructing Lost

October 18th, 2010

I’ve been watching TV shows created or co-created by J.J. Abrams for the last decade now, beginning with ‘Alias’ and now continuing through ‘Fringe.’ Undeniably, his biggest success to date has been ‘Lost,’ which at first glance doesn’t seem to have a whole lot in common with the other two shows I’ve just mentioned. There’s a key difference, and it begins right in the pilot. Common lore has it that Abrams intended for Jack Shephard to die. With that crucial difference, ‘Lost’ was given a significant nudge in its own direction, and so in that spirit, I’m going to take another look at the series while it’s still fresh in everyone’s memories.

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Lost “The End” review

May 25th, 2010

Before anyone knew it for certain, ‘Heroes’ completed its run pretty much as it had started out, and at pretty much the same point everyone last cared about it: Claire, the cheerleader, trying to kill herself, but because she obviously couldn’t, it was all about the meaning of the act. The first time, it was about exploring her, well, brave new world. The second time, it was about letting the rest of the world do it with her. ‘Lost,’ it turns out, pretty much went the same way, except, ‘Lost’ being ‘Lost,’ if the people who last watched the show the last time everyone really liked it, right around the start of the second season, probably came away with the final episode a lot different than those who watched it from start to finish. Think about it: who wouldn’t have expected Jack and Locke, as they did in one of many climactic moments during “The End,” to come to epic blows? Jack and Sawyer had finally done it in the fifth season finale. If Locke were still alive, it might not really have been out of the question. But yes, ‘Lost’ was ‘Lost,’ straight to the end.

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There’s been a lot of talk about the LOST finale, and the opinions seem to be split.  Some people loved it, seeing it as the perfect culmination of six years of storytelling.  Some people didn’t love it, as it didn’t explain some of the questions that were eating at people since the show began.  And I won’t make you jump to know my opinion – I loved it, and I’m very happy to explain why I loved it.  But I think your opinion of the finale is going to be solely dependent on what show you were watching.  And, oddly enough, it seemed that there were to sets of LOST fans out there.  Which one are you?

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A Requiem to Lost

May 24th, 2010

Remember when Lost was about a bunch of people on an island? When it was about a paraplegic who suddenly discovered he could walk? A mysterious group with an equally mysterious number of mysterious stations? A drug addict trying to redeem himself? A doctor who believed survival depended on living together? A man willing to do anything to protect his son? A button that needed to be pushed every 108 minutes? A cloud of black smoke that came and went as it pleased, wreaking havoc? A statue with four toes? A polar bear wildly out of its element?

What happened to that show?

Watching the series finale of Lost last night I was reminded of how much the show has changed in the six years since it premiered. The puzzles and confusion of those first few seasons now seem somehow quaint. Wondering about the function of the DHARMA stations? Questioning what pushing the button every 108 would actually accomplish? Arguing about the meaning of the Numbers? That’s nothing compared to the epic battle between Jacob and that other guy who always dressed in black over control of the golden river at the center of the island.

Lost fundamentally changed at the end of Season Three when the flashbacks became flash-forwards and then again when the flash-forwards became flash sideways (flashes sideways?) at the start of Season Six, and perhaps not for the better. I recall, back when Season Three was at its most frustrating, thinking about how neat it would be if someone took all the scenes on the island from Season One and edited them together. Minus the flashbacks, would Lost still work? Would it still have dramatic heft?

Now that the show is over, the mysteries solved and the questions, for better or worse, answered, I find myself thinking about the simpler times when watching Lost was about the DHARMA Initiative, the Others and the Numbers. It seems strange to think of Lost as simple but part of me longs for the days when the Blast Door map led to a few answers but so many new questions before the introduction of an overarching (and perhaps retroactive) theme of good versus evil and the epic/eternal struggle between Jacob and that other guy.

At the same time, Lost has always had its fantastical elements, so quibbling about the so-called “Heart of the Island” and its bright, golden light might appear trivial. Maybe it has to do with the passage of time or maybe I’ve just become tired over the years. But you can’t tell me that those first few seasons, when the mysteries of Lost were fresh and exciting, weren’t somehow better or at the very least more exciting than later seasons. (You also can’t tell me that the producers/writers had the show planned out from the beginning, but that’s neither here nor there. Much like the final moments of the finale, in fact.)

Lost is over now. It’s been a thrilling ride, one filled with equal parts excitement and irritation. I was never the biggest or most involved fan. I never participated in any of the alternate reality games. I read some magazine articles, talked about the show at a few message boards, chatted with friends and family about the most recent episode. There’s no use wondering now what might have been. What’s through the looking glass, so to speak. No real use, that is, but I’m sure fans will spend the summer arguing about how the show ended and then, when the new television season starts in the fall, lament the fact that Lost won’t be coming back.

Personally, while I don’t really understand what the finale meant, I can’t say it wasn’t enjoyable. I also can’t say I plan on rewatching all six seasons any time soon. I actually don’t know how much repeat value the show will have, knowing how the show ends and knowing that so many questions remain unanswered. Maybe I’ll just watch the first few seasons and try to forget the ending. For me, Lost was at its best when it was about a bunch of people on an island, with a few strange twists thrown in for good measure.

I still want to know why that statue had only four toes.

Lost Ends Tonight

May 23rd, 2010

If for some reason you’re unaware of tonight’s significance, ABC’s Lost will be wrapping up after six seasons and 121 episodes. The fun starts at 7PM when one last recap special, “Lost: The Final Journey,” begins. At 9PM, the two-and-a-half-hour series finale, aptly titled “The End,” starts. It, and the show that so many have invested so much in watching, comes to an end at 11:30PM. But wait! There’s more. At 12:05AM a very special installment of Jimmy Kimmel Live called “Aloha Lost” will feature cast members Naveen Andrews, Nestor Carbonell, Alan Dale, Jeremy Davies, Emilie de Ravin, Michael Emerson, Matthew Fox, Daniel Dae Kim, Terry O’Quinn and Harold Perrineau, with special appearances by Jorge Garcia, Josh Holloway and Evangeline Lilly and an exclusive look at THREE ALTERNATIVE FINAL SCENES from the minds of executive producers Damon Lindelof and Carlton Cuse.

If you don’t feel like staying up that late, the THREE ALTERNATE FINAL SCENES will probably be on YouTube by 1:06AM, a minute after Jimmy Kimmel Live ends.

And there you have it.  After six years, the last “regular” episode of LOST is in the books. And after six years of questions have been raised on the show, a lot of people have been concerned that the answers wouldn’t be coming.  But with only the two and a half hour finale remaining, I can honestly say that there aren’t many questions left to answer.  There’s still a whole lot to look forward to, though.

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What kind of show would make an episode where absolutely zero main characters appear in any new footage?  Where the main plot takes place entirely in a period thousands of years before any of us were even born?  What kind of show formally introduces characters that are immensely tied to the mythos with only three (and a half) hours left in the show?  If you answered “LOST” – you’re absolutely correct.  And I think LOST might be the only show that could get away with such a thing.

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We all knew it was coming.  With LOST, you’d always had that fear inside that anyone could go at any time.  From Boone’s untimely death in the first season and Shannon’s surprising death in the sixth episode, we knew that no one was safe on the Island.  And with the shocking double murder of Ana-Lucia and Libby in season two, we discovered that the writers will do just about anything to move the story along.  But with the end of the tunnel officially in sight, the writers decided to let it all go, and they made something perfectly clear.

They’re no longer playing around.

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If you don’t know yet, Losties, this is it.  “The Last Recruit” feels like the final calm before the storm, and with only three regular episodes to go, you have to know that things are about to kick into gear.  Because the alternate universe is starting to come together, and all of the action in the main timeline seems to be headed to Hydra Island for a final confrontation.  As Locke said…here we go.

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Hurley-centric episodes are supposed to be fun.  For the most part, Hurley is on the show for comic relief, and that’s why it’s a pretty big treat whenever he gets to do anything meaningful.  Because the title is correct – everyone does love Hugo.  But in what is almost certainly the last Hurley-centric episode of the series, comic relief is on the backburner.  There is a lot of emotion and story in this episode, and Hurley finally gets a top spot on the main stage.

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